نوع مقاله : مقاله پژوهشی

نویسندگان

1 استادیارگروه ارتباط تصویری، دانشکده مهندسی معماری و شهرسازی، دانشگاه تربیت دبیر شهید رجایی، تهران، ایران.

2 استاد گرافیک، دانشکده هنرهای زیبا، دانشگاه تهران.

3 کارشناسی ارشد، رشته ارتباط تصویری، دانشکده مهندسی معماری و شهرسازی دانشگاه تربیت دبیر شهید رجایی تهران، ایران.

10.22061/jsaud.2021.4522.1735

چکیده

چکیده
در معماری اسلامی اغلب بهترین و نفیس ترین تزیینات بر روی محراب ها اجرا شده است. بسیاری از محراب های ایرانی به دلیل ظرافت و زیبایی دارای شهرت جهانی هستند؛ بخصوص محراب های گچ بری شده شهرهای مرکزی ایران. دو محراب پیرحمزه سبزپوش ابرکوه (سده ششم هجری قمری) و محراب مسجد جامع ابرکوه (سده هشتم هجری قمری) از نظر کیفیت گچ بری و طراحی نقشمایـه ها و کتیبه ها دارای ارزش و اهمیت زیاد هستند. محراب مسجدجامع روستای هِک ابرکوه (سده ششم و هفتم هجری قمری) که بخشی از گچ بری های آن از بین رفته با دو محراب مذکور قابل قیاس است. در این مقاله مسأله پژوهشگران این بود که آیا مجاورت این سه محراب از نظر مکانی عامل تشابه ساختاری و تزیینی این نمونه ها هست یا ساخت آن ها در قرون مختلف به بروز تغییرات زیربنایی یا روبنایی منجر شده است؟ پژوهش حاضر با هدف بررسی شباهت ها و تفاوت های اصول ساختاری و طراحی نقوش این سه محراب با روش تحقیق توصیفی ـ تحلیلی انجام شد. نتایج پژوهش پایداری اصول هندسی و تداوم شیوه تزیینات این سه محراب را در طول سه سده نشان می دهد؛ اگرچه محراب مسجد جامع ابرکوه به لحاظ شیوه طراحی نقوش به شکلی متفاوت نمایانگر پیشرفت این اصول است.

کلیدواژه‌ها

عنوان مقاله [English]

Comparative Study of Three Mihrab of Abarkuh

نویسندگان [English]

  • Fariba Shapourian 1
  • M. Halimi 2
  • R. Arefi 3

1 Assistant Prof. of Graphic, Graphics Department, SRTTU., Tehran,Iran.

2 Prof. of Graphics, Fine Arts Faculty, Tehran Uni., Tehran,Iran.

3 MA. of Graphic, Graphics Department, SRTTU., Tehran,Iran.

چکیده [English]

In Islamic Architecture, the best and most elaborative and decorative designs are on the Mihrabs. Mihrab of Pir Hamzeh Sabzpoosh Abarkooh, a precious example from the sixth century (Hejry Ghamary) reveals significant values in design, traditional plaster modeling, cornice, and epigraph. Due to lack of attention to this precious Mihrab by some pioneer architectural researchers, this Mihrab has not been a subject of research yet. This research project will conduct investigations, questioning the significance of design motif on the Mihrab of Pir Hamzeh Sabzpoosh Abarkooh. This research involves analytic and descriptive methods in searching for information from public and from libraries as well as study of photographic examples and measurement of the design motifs using available software. The conclusion of this research presents involvement of principles of Iranian design motif and application of geometrical and mathematical proportional relationships. Furthermore, presenting the progress in plastering art and techniques.Mihrab, Design Motif, Mihrab of Pir Hamzeh Sabzpoosh Abarkooh Tomb,
Traditional plaster modeling, Islamic Architecture

کلیدواژه‌ها [English]

  • Mihrab
  • Design Motif
  • Mihrab of Pir Hamzeh Sabzpoosh Abarkooh Tomb
  • Traditional plaster modeling
  • Islamic Architecture
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